沒有記憶的éŽåŽ» the first episode is goodbye
🐢 點iwishicoulddescribeittoyoubetter發起的時候åƒèˆ‡è€…haxi,今天GOODBYEéŽåŽ»æ™‚è€ƒå¤é‚„能挖出來這樣的一個回憶 💓ï¼05年在北京我第一份工作是給國際廣æ’é›»å°åšä¸€ç³»åˆ—英文æ’客。åƒhaxi所說的,「在preå¾®åšã€pre微信ã€pre移动互è”网时代,我们还åšè¿‡è¿™æ ·ä¸€ä¸ªä¸œä¸œã€‚[😎旺柴😎] ã€miss erminia,我電腦上有第16期,很想è½ä¸€ä¸‹ã€Œ💩 OHMYGAWD, I STEPPED IN POO 💩ã€é‚£æœŸï¼Œä½ 有嗎?⋯⋯OHMYGAWD 🎶 GOODBYE 2021ï¼Œæƒ³ä½ å€‘å‘€ï½ž
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epistolary formations (for Ĵ, Ş, Ȼ and Ḅ)
dearest yous,
digital crumbs here in response to those things you said, those things you sent, real material ways and a digital means. ‘i am sorry for the delayed reply’ prefaces so many of these formations, followed mostly by the mental hesitation for apologising too much. though it’s nice to hear ‘no need to apologise’ in response sometimes, it takes a sorry to get there. truly sorry for too many things.
lateness somehow psychologically necessitated a more involved response, if this so-called ‘publicness’ can warrant any more meaningfulness. actually i told Ḅ that what i like most here is the anonymous intimacy of passerby in public, because being an outmoded place, it’s hidden in plain sight, Emily Dickinson style. there was a period when i wrote little notes and left them in random places, too, and i found one a few years ago that didn’t get distributed, so sent it to Ẳ in the post along with a bunch of other random things, but i think the clutter of it all overwhelmed her, so there was not much conversation about it afterwards. at the time, her son could just fit the quarter-sized sample jacket i made in fashion school.
so many things need explaining.
and your faith astounds me sometimes. but i guess we still make (it) work. it’s perhaps not so dissimilar——nudity in public, intimacies for those who were never keen at p.d.a., the weaning separation from one’s body that is called a work.
Art is insufficient to narrate the inhumanity of history, because it is insufficient to explain it. Disaster is either explained by means of psychology, or the savagery of society is described as if it were a supernatural event; fascism is presented ‘as the machination of rackets outside society, not as the coming-to-itself of society as such.’
-from The Orpheus Double Bind: What Can Writing Save?, Nurdan Gürbilek
and what would you say to those that don’t watch films, don’t really read books, don’t dance? aren’t they terrible, those people, how are you going to explain it to them? how are you going to wish for them the thing that changed you and you don’t regret it not one bit, except all the times you fail to explain it to your stern mother or that person in power that you wanted to impress. you’re sorry.
Åž, i like the digitised irony that your rooms reminded me of playing Hitchhiker’s Guide to the Galaxy, or growing up choosing my own adventure——though you don’t say ‘you’. but something like she says, it wasn’t birds but paper speaking——your real, material and actual post, Åž, so carefully bound by hand and sent to me across the Pacific just as you said you would, when most people don’t. and with that I have to tell you, unapologetically sorry, that I haven’t forgotten what I said I would send to you. it’s not ready yet, hopefully soon.
“Time the Great Healer (live at the Boston Museum of Fine Arts, 5 September 2006)â€, Cat Power
though today i put off work to deal with a number of personal matters. and really that is an irony as well, as if they were separate in these realms, you know what i mean, but again it’s something about still learning to explain after all this time, i have to reiterate myself and you to yous again and again, because you weren’t listening and in my anger i don’t hear myself. maybe you’ll say i have to listen more in order to be heard. maybe.
i like that the package from Ä´, one of the most dedicated in believing the romance of ‘art’ and ‘post’ all these years, came this time not directly from you but by the smooth spaces of guanxi through the editorial office of a magazine based in Spain. i like that you once fleetingly included me in one issue, and still hope that we’ll have that chance for a two-day dialogue over sidewalk beers some day.
“ピンクブッムPink Butch (ラララ Lalala)â€, マジカル・パワー・マコ Magical Power Mako
i like that an e-mail from È» seems so anachronistic amidst all of our other conversations online, that the tone differs by that very fact and that you’ve encouraged me thus to write poems in Chinese, like Ɀ also showed me, so simply, how line breaks make all the difference.
did i show you the poem he helped me to break?
æ¯ç•¶ä½ ä¸åœ¨ï¼ˆèº«é‚Šï¼‰ï¼Œæˆ‘念åŠä½ 的時候
總有許多的話,想è¦å°ä½ 說
è·é›¢æ…¢æ…¢ç¸®çŸï¼Œç©ºé–“å»è®Šå¾—
越來越厚é‡
æ–‡å—難以承載的那些話題
總與天氣有關
一種ä¸é–“ç‹€æ…‹ï¼Œå®ƒå¾žä¾†ä¸æ˜Žç™½ä½
或者是我
我們侃侃而談
談論愛
å»ç¸½æ˜¯ä¸å¤
— from the 視覺åšç‰©èªŒ Visual Diary Archive project “其人,其事:何京蕴 Just People, Just Timing: Anouchkaâ€
and for Ḅ, who joined us most recently and 那麼有è€å¿ƒ accompanied me 陪著我 so patiently on the å今天的山車 roller coaster of today:
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KEEP人生 KEEP, Live – “å†åšæŒ5ç§’ï¼Hold On For 5 More Seconds!â€
åœ¨ä¸€æ®µä¸æ˜Žç¡®çš„æ—¶é—´é‡Œï¼Œæˆ‘觉得自己抽象地领悟了这个世界。——åšå°”赫斯 下一个动作:简易æ»è™«å¼
I felt myself to be, for an unknown period of time, an abstract perceiver of the world.. — Jorge Luis Borges Next exercise: Dead Bug
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Like many others, since COVID-19, I haven’t been able to go anywhere. Indulged by the horizontal screen of a MacBook Pro and the vertical screen of an iPhone, she also ate 100g of ice cream every hour. It was either ice cream or chocolate, either chocolate or chocolate cookies. Once she even ate a whole packet of Chinese rock candy (pure sugar)—not all at once of course, but arguably it could be observed that it all disappeared at once. Before long, she put on 10kg. In fact, more than the sweets, she was addicted to staying at home, an immigrant otaku watching Youtube day and night. Although from time to time I would re-watch ‘a good film’ (sometimes a new one) to remind myself of what my own standards for ‘watching’ once were. But it has really been tossed out like used face masks. I’ve watched (consumed) so many little junk videos over the past year—many with the audio-visual habit of 1.75x speed, a psychological dependence on the progress bar, and a great tolerance for the constant pop-up ads – yes, even when watching Herzog’s “good film†– the porn ads that suddenly spring up on every corner of the screen.
But every day and every night she swore to lose weight, to be healthy, and to be motivated. And every day and every night you still fell into the comfort of junk videos and junk food. They don’t really comfort you, so you always need to consume more and more and more to help you escape from emotion and eczema, to escape from all kinds of discomfort and conflict that come with being stranded in a foreign country due to pandemic, division, and isolation.
One day, almost a year after she became a fat girl, she downloaded a Chinese mobile fitness app called KEEP. Clicking on the grey icon, a huge line popped up: SELF-DISCIPLINE GIVES ME FREEDOM. But before she could even process the implications of such a sentence it disappeared, replaced by an ad (which also disappeared quickly with a 5-4-3-2-1 before being replaced by another one). To urge herself on, she purchased a membership subscription of KEEP. On one side she kept criticising consumerism, but on the other, she just kept consuming (ah, so sorry…another egg on the face!). So that is how KEEP came into our lives. Gradually, I couldn’t live without it. Even during Zoom meetings, you’re secretly kept KEEPing. Isn’t this the era when multitasking and code-switching are fashionable?
KEEP recommended me a supposedly customised package called the 28-Day Crazy Fat-Blasting Plan. In addition to directed exercise routines, I had to report to KEEP what I ate everyday, and it would respond with feedback like, Bananas are full of vitamins and dietary fiber that your body needs. Great choice! Or, Ice cream is high in sugar and makes you fat! So you replace that harmful ice cream addiction immediately with a KEEP addiction, not so dissimilar from how you had replaced your former cigarette addiction with an ice cream addiction. Contemporary life is all about constant addictive dependencies, right? Cigarettes, marijuana, alcohol, love, sex, porn sites, YouTube, social media, art, slime, internet shopping, fried chicken… Or, of course, jogging, firm abs, or in more specialty terminology—peach butts, swan necks, 90-degree shoulders, teenage girl backs, and Satomi Ishihara jawlines. These latter self-disciplining hobbies which may at first seem positive, healthy, and beautiful, are even more deadly addictions than the commonly known ones.
Launched in 2015, KEEP now has 300 million users, and more than 6 million people sweat with it every day, making it China’s largest sports social platform, covering fitness, running, cycling, dating and diet guidance, equipment purchase, live sports, and other functions. Usually, I wore my Airpods and followed KEEP while exercising in the living room so as not to disturb my Japanese husband. He sat across from me, sometimes beside me, wearing the same model of earbuds and immersed in his own version of the YouTube universe. Sometimes it seemed as if he was giving me a mysterious smile, but very quickly I realised those smiles were not for me. The epidemic in early 2020 led to mass self-isolation in homes and a spike in user activity on the sports social app, helping KEEP achieve a new records of data growth. KEEP is reportedly planning to list on the U.S. stock market this year and will be valued at more than $2 billion in Series F preferred stock. The founder and CEO is late millennial. She realised that she had reached the age of aunt, and her post-dinner exercise was exactly an aunty’s activity, even if it were just online. Compared to the public square dancing popular in China, this was actually a much larger scale, in tune with millions of people. So now, let’s follow the instructions to experience the popular Peach Booty Workout. The coach, a ponytailed D-cup girl on a yoga mat, says: Ready? Let’s get started! First exercise: Crunch. Set of 12 reps, 3-2-1, GO! With the background of this image removed, the pure white and flawless space becomes a white cube for contemporary art exhibitions as well. Concentrate! 5-6, exhale as you push, inhale as you restore, 8-9-10, feel the abdominal force, 11-12. Next exercise: Dead Bug. Set of 15 reps. 3, 2, 1, GO!
When the instructor says Take a break! we are given 10 or 20 seconds to rest, at which point motivational quotations pop up on the screen: O ever youthful, O ever weeping —Jack Kerouac. These quotes provide timely triggers for those of us struggling to burn fat. In addition to connecting with (Chinese) fat burners all over the world, we are accompanied by dead literary stars. The cue box at the bottom right corner of the screen flashes with the avatars of others who are also at the same moment sweating their way to a quick peach butt. She takes a look; there are 420 people practicing this workout with her now. A sea of people, instant identity-formation and community. You are no longer alone! Next, Sicilian Crunch. Set of 15 reps. 3, 2, 1, GO! 1-2, keep your waist on the floor the whole time, 3-4-5-6, abdominal power curl your body, 8-9, arms up! 10-11-12, great! That’s it, hold it! 14-15.
Next… Last one, perseverance is victory! Waist to the ground! Keep breathing evenly! Body in a straight line from head to toe! Your abdominals should be as hard as steel! Tighten your hips! Keep breathing deep! Keep your chest up! Feel the stretch in your abdominals! Very good! Hold on for 5 more seconds! 5-4-3-2-1! Congratulations! Finish this workout! Don’t forget to clock in with the KEEP community to get likes!
In the beginning, she was shocked by the avatars, half-naked bodies, and various fitness products that popped up, immediately closing the windows with disdain. But day by day she became unwittingly drawn in by the banners: 10KG LESS IN A MONTH, or Half Price Limited Offer, something like this. The ‘community’ is full of people just like you, showing off our desires to be thin, to be beautiful, healthy, successful and special, like internet celebrities. Your bitter weight loss history is no different from the merchandise arranged in the KEEP online mall, calibrated precisely with an algorithm. KEEP incorporates big data and AI into exercise, using algorithms and scientific techniques to enhance user experience and the accuracy of your exercise needs.
We have become people who don’t know anything and can’t do anything ourselves. We no longer know how to move our own bodies; we need to split movements into fragments and we need constant instruction. We use reminders to go to sleep—don’t even know how to rest. Always geo-located and reliant upon navigation apps, we don’t know how to walk, nor do we know how to get lost. We don’t know how to have sex, or at least we don’t know how to sex with a real person without Pornhub and updated porn videos. We depend upon ‘life tips’ from Baidu (the Chinese version of Google) at every moment because we don’t know how to live. We follow all sorts of Youtubers, vloggers, and uploaders to learn about world cuisine, about narrow balcony gardening, ‘how to be a hot mom’, and the ‘10 Best Minimalist Fashion Outfits’. To learn how to ‘naturally’ fake double eyelids, the difference between non-stick pans and iron skillets, about how others get along with their mothers-in-law, as well as about Marxism and Chögyam Trungpa Rinpoche. To learn about the US-China trade war, the US election, about how to speak out for Asians, how to support Palestinians, how to oppose or support Xinjiang cotton, how to support or oppose H&M, about melting glaciers and global warming, about how to survive doomsday, and about technology enabling human immortality. To learn about how the novel coronavirus has messed up the human world.
One day while learning to grow vegetables, she saw for the first time—not through Google images but by chance in reality—the flowers of a leek plant. She was amazed by this for an entire day. This was leek no longer as a seasoning but as a real leek before her very eyes, a large white flower bulb emerging from the top of leek and beside it a dreamy pink-purplish bloom from chives.
Her KEEP records show that the time she most often does exercise is towards midnight, when there are almost no companions online. Perhaps she still enjoys loneliness? Or maybe she’s just a heavy procrastinator. To complete each day’s task on time, she invented a great trick. By turning back the time on her iPhone by one hour, she was able to clock in for the day. How easily she could conquer the time! Isn’t that very science fiction and philosophical? What if Cinderella or Tehching Hsieh could also speed up or slow down time at will? As time goes from 23:01 to 22:00, she taps on KEEP happily again, ready to follow its instructions… Just follow the instructions (not your body), just follow, flow, go with the flow. After completing the training, she adds a tick to her task list. The act of adding checkmarks gives her a bit of satisfaction, but it seems that, like watching YouTube and eating ice cream, she needs more and more to maintain the same degree of satisfaction. For now, at least, the huge depression hasn’t hit yet, which means it must still be working for her. So go ahead.
And one day you, I, and she will get bored for sure. Or maybe, such a day will never come.
(English text was translated by lovely Naniko! Firstly Published on ETC., ETC., Catalogue No.005 Unintelligent Work, Köln, July 2021)
Posted by boat | reply »the news makes me cry every morning
2021 July 01, Hong Kong
我剛剛下去樓下去買一ç½å•¤é…’「慶ç¥ã€ä»Šå¤©çš„節日,在Circle K被找錢,發ç¾å…¶ä¸åŒ…括了一塊1978年女英皇é 硬幣。回到我樓大廳,發ç¾éƒµç®±è£¡æœ‰å¦³å¯„éŽä¾†çš„æ˜Žä¿¡ç‰‡ï¼Œä¸Šé¢å¯«è‘—「Still hereã€.
I just went downstairs to buy a beer to ‘celebrate’ the holiday today, and upon being given change at the Circle K, discovered amidst the coins one Queen Elizabeth head dollar dated from 1978. Returning back to my building, inside the post box was a postcard from you with a drawn eye of horus and the words, ‘Still here‘.
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æ…¢éžä»¶ dispatch HQL-299
// 內容 CONTENTS //
《è–誕島,自然而然》 Memorial to the Last Christmas Island
Pipistrelle, from the series Christmas Island, Naturally by Robert ZHAO
Renhui (è¶™ä»è¼ä½œå“)
// 訂é‡ä¿¡æ¯ QUANTITATIVE //
åˆ†å…©ä»¶çš„ä½œå“ one artwork in two pieces
(è™è è²éŸ³æŽ¢æµ‹å™¨å’Œéº¥å…‹é¢¨ bat sonar detector and microphone)
185 x 134 x 82 cm
// 出發點 START POINT //
é¦™æ¸¯é°‚éšæ¶Œ Quarry Bay, Hong Kong
// 到é”點 END POINT //
æ–°åŠ å¡ä¸å±±å…¬åœ’戴斯飯店 Days Hotel by Wyndham Singapore at
Zhongshan Park, Singapore
// æ…¢éžäººå“¡ COURIER //
易拎何å PORTABLE
 // é‹è¼¸ç‹€æ…‹ SHIPPING STATUS //
æ´¾é€æˆåŠŸ SUCCESSFULLY RECEIVED 2019-06-09,10:57
æ…¢éžæ‹›å‹Ÿç™¼å¸ƒ ROUTE REQUESTED 2019-05-29,16:41
我本來沒想記錄這æ¢ç·šï¼Œå› 為çªç„¶é–“——也是機緣巧åˆâ€”—我接了一æ¢ä»˜è²»çš„ç·šè·¯ã€‚ä½†æ˜¯åœ¨é£›æ©Ÿä¸Šæ™‚ï¼Œçœ‹åˆ°äº†ä¸€å ´ç•°å¸¸æ¼‚äº®çš„é›²ï¼Œåƒæ˜¯è¢«è•刻的懸崖ã€ç¿»æ»¾çš„æµ·æµªã€æ‰‹æç®±åˆæˆ–是UFO排著隊一個一個湧ç¾ï¼Œä¸€å€‹é¨Žä¼åœ¨å¦ä¸€å€‹ä¸Šé¢ã€‚我想著æ‹å¼µç…§å§ã€‚我想象著熙熙攘攘的人們åƒé›²æœµä¸€æ¨£æ“æ“ åœ¨é€™å€‹å…‰æ»‘ç„¡èŒçš„é£›æ©Ÿå ´é‡Œï¼Œé«˜é«˜çš„ã€æœ‰å¼§åº¦çš„天花æ¿ä¸‹ç„¶å¾Œï¼Œå¦ä¸€å€‹æ…¢éžå“¡èªªä»–ä¸ç¢ºå®šé€™è¶Ÿæ—…程是å¦èƒ½æ¿€ç™¼ä»»ä½•æƒ³æ³•ï¼Œå› ç‚ºä¹˜å的是飛機而éž24å°æ™‚çš„ç«è»Šï¼›é£›æ©Ÿå ´çœŸçš„太無èŒäº†ã€‚然後,我回應他說我喜æ¡é«˜æ˜‚情緒在這種無èŒç’°å¢ƒä¸æ‰€å¸¶ä¾†çš„å¼·çƒˆå°æ¯”。然後,我覺得å†å¦ä¸€å€‹æ…¢éžå“¡å¤ªå¤©è 了,在表é”é¡˜æ„æ‰¿æŽ¥å¦ä¸€æ¢ç·šè·¯æ™‚å°ã€Œæ„›ã€é€™å€‹è©žçš„使用充滿算計。好åƒå¦‚æžœå¥¹ä¸æ„›æˆ‘了,那æ¢ç·šè·¯ä¹Ÿå°±çµ‚æ¢äº†ã€‚我ä¸ç¢ºå®šå› 為愛而讓一個人æ²å…¥å·¥ä½œæ˜¯å¦æ˜¯å¯æ¥çš„ï¼Œåˆæˆ–者如她所言,一å†ç”¨è’å”çš„é‡åŒ–æ€ç¶è¡¡é‡äº‹ç‰©ï¼Œåæ˜ äº†æˆ‘å€‘è‡ªèº«çš„è¢«å¥´å½¹ï¼Œè€Œä¸”ä¸éŽæ˜¯æŒ‰ç…§åˆä¸€å€‹è³‡æœ¬ä¸»ç¾©é‚輯在走。å¦ä¸€å€‹æ…¢éžå“¡èªªï¼Œé€™å€‹å¤©è 座慢éžå“¡å分擅長太戀愛——就å—颿„æ€ï¼Œè«‡è«–浪漫的戀愛(演講,公開發表言論,表演)ã€‚ä½†æˆ‘å€‘å°æ„›åˆ°åº•èƒ½èªªä»€éº¼å‘¢ï¼Ÿæˆ‘è¦ºå¾—å¥¹è«‡è«–æ„›çš„æ™‚å€™æ˜¯åœ¨åˆ©ç”¨æˆ‘ï¼Œä½†ä¹Ÿè¨±æˆ‘æ‹œè¨—å¥¹æ…¢éžæ™‚å¥¹ä¹ŸåŒæ¨£è¦ºå¾—è¢«åˆ©ç”¨ã€‚ä¹Ÿè¨±é€™å°±æ˜¯æ„›çš„å‹žå‹•â‹¯â‹¯é€™ç¨®æ„›çš„é¡žåž‹å°±æ˜¯æˆ‘å€‘åŽæƒ¡çˆ¶æ¯æ‰€æœ‰çš„那種,哪怕鬧翻天最後還是ç¶åœ¨ä¸€èµ·ã€‚一直在一起。
這個慢éžå“¡å¦‚æ¤æ„Ÿæ…¨æ–¼å¦ä¸€å€‹æ…¢éžå“¡è¨Žè«–愛的能力,也說明她在情緒上éé‡äº†æŸç¨®å›°é “。這些話ä¸çŸ¥é“怎麼說。這也是勞動?感覺å¡ä½ï¼Œæœè…¸åˆ®è‚šï¼Œæƒ³è¦ä¸€åç‚ºå¿«ï¼Ÿå°±åƒæ˜¯æƒ…緒進入了一個無èŒçš„ç’°å¢ƒï¼Œç†™ç†™æ”˜æ”˜åœ¨èƒƒå’ŒæŽ›åœ¨ä½ å˜´å¾Œé¢çš„那個尿±è¥¿çš„大門之間奔波,å¯èˆªç總是一å†å»¶èª¤ã€‚é€™çœŸæ˜¯é …è‰±å·¨çš„ä»»å‹™ã€‚
我想起了一張飛機機翼指å‘é›²æµ·çš„ç…§ç‰‡ï¼Œæ˜¯ä¸€ä½æœ‹å‹åœ¨2011å¹´æ‹æ”的,當時他48æ²ï¼Œç¬¬ä¸€æ¬¡å飛機。其實他是從北京到廣州去工作,但是在雲端,他寫了一首詩。
這會兒,飛機上的空調還是一å‘å†·çš„è®“äººçµ•æœ›ï¼Œä½†æˆ‘å€‘æ£æœå—飛行,太陽在我這一å´ã€‚我一直緊é çª—æˆ¶ä»¥å–æš–,但我沒有æ‹é›²ã€‚
I didn’t think about documenting the route this time, mostly because I felt shame to suddenly, by chance, be carrying a route for financial gain. But then while on the airplane, an especially beautiful explosion of clouds, like ravaging cliffs and waves and suitcases and UFOs waiting in line, one after another, bulbous one on top of another. I think about taking a photograph. I think about swathes of people like clouds rushing under the tall, curving glass ceilings of sleek and sterilised airports. About how another courier said he was not sure if he would be able to come up with inspired documentation this time, travelling by plane as opposed to the 24-hour train ride of his previous route; airports are too sterile. About how I then responded that I like the contrast of such high emotions in those sterile environments. About how I felt like she was being so scorpion in her calculated use of the word love when talking about her willingness to take another route. That courier route would stop when she stopped loving me, supposedly. I was not sure if it should be shameful to engage someone to work for love, or, as she said, to run again on something absurdly quantifiable, meaning facing up to our servitude, and just simply following another capitalist logic. Another courier says that scorpion courier is very good at 談戀愛——literally, to talk about romantic attachments (and the act 演講, of talking publicly, is to perform). But what can we really talk about love? I feel like she’s using me when she talks about love, but perhaps just as she feels used that I ask her about routes. That is the labour of love, perhaps…the kind that we resent our parents for, the kind that keeps them together after all those explosions and all this time. All this time.
The courier that is impressed with another’s ability to talk about love confesses that she gets stopped by emotion. All these words that don’t know how to come out. Is that a labour, too? To be stuck with our hiccups and having to work around not knowing how to liberate difficult words? Like emotion in a sterile environment, rushing all about somewhere between a stomach and the gate of that little thing that hangs in the back of your mouth, even though the flight paths are on perpetual, repeated delay. It is a lot of work.
I think about the photograph of the wing of the aircraft pointing toward a sea of clouds, the one photographed by a friend in 2011 on his first journey by plane at the age of 48. He was on his way from Beijing to Guangzhou for work, actually. But while up in the air he wrote a poem.
The air conditioning on this plane is as usual on high for sterility, but we’re flying south, and the sun is on my side. I keep leaning close to the window to keep warm, but I don’t take a photograph of clouds.
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「但願為您æè¿°å¾—更好ã€ASMR——在糟糕的日å里,讓您舒æœä¸€ä¸‹
雉尾電å°ï¼Œ2018å¹´4月20日,凌晨1ï¼å…©é»ž
archived recording, originally broadcast on Pheasantail Radio, 20 April 2018, 1 – 2 am UTC +08
featuring selections from:
🎧 《A User’s Guide to Demanding the Impossible》 by the Laboratory of Insurrectionary Imagination
🎧 「Coping Mechanism: The Care of Self and the Politics of Listening in Art and the ASMR Communityã€by Ashley Lee WONG
🎧 「RECEIVE UNEXPECTED MONEY IN 1 DAY | Subliminal To Attract Moneyã€
wedged in something that has to do with the world
Science went away for some time, but left rusty Technic behind. There was a small key with a black plastic coated head. We unlocked her and rode with her rhythms, though something kept nerves piqued at the same time as familiarity made everything gummy inside. The remembering of being here before, when things were more regular, and this was before you knew Science, when things were simply intuitive. But now your muscles were taut and that thing on the back kept falling off and you didn’t know if it was your doing or not or if we would survive until Science came back.
In the end you left before she did, and your tight outer edges and chewy fillings didn’t know what to do with the small key except, on the way out, wedge it quickly between something that has to do with the world or the universe. Technic was left outside to nature.
It should have been one week, but it was months, months, months. Where on the flattened earth does Science go? You worried for a moment until you forgot. And by the time she came back looking for worlds in universes, you couldn’t quite remember the game either, only that you had been looking downwards, so it must have been about waist height. She played several rounds over a few more weeks, and almost even lost it for a second.